Back story: Percussionist Anthony J. Cirone
From 1965 through 2001, there was a constant in the San Francisco Symphonys percussion section — Anthony J. Cirone. This award-winning percussionist — also a composer, also a retired San Jose State music professor — now has authored The Great American Symphony Orchestra A Behind-the-Scenes Look at Its Artistry, Passion, and Heartache (Meredith, $19.95).
Cirone, who lives in Los Gatos, regaled me with stories and insights, via email.
Q How is a symphony orchestra like a family? In a good way? In a bad way?
A With rehearsals, concerts, recordings, travel on buses, trains, planes, and roommates on tours, an orchestra spends many hours together. This close interaction fosters deep relationships within an orchestra family. But, it can also cause problems. For example, a player can sit next to the same musician for years, even for an entire career. And if they dont get along — well, you get the picture!
Q Why is there so often a love-hate relationship between orchestra members and conductors?
A When you think about it, its astounding that world-class musicians, concert pianists, instrumental soloists, and singers concede so much of their musical interpretations to a conductor — yet, thats how our business operates. We do not necessarily have to like their approach to the repertoire, but we do love those conductors who resonate with our own personal musical tastes; and on the flip side, hate to perform under those who